Hochschularbeit

Eva-Maria Ortner: Restoration in the field of tension between conservation and religious- aesthetic requirements: An italo-cretan Anastasis-icon Zurück
Sprache: Original   -   Übersetzung
Seitenübersicht:  
 
Zusammenfassung: The icon examined in this study comes from the collection of a Viennese icon dealer and
depicts the Christian motif of the Anastasis. The icon is dated to the period between the 17th
and 18th century and follows the style of the Italo-Cretan school. In addition to the historical
and stylistic classification, the theological significance of the icon in Orthodoxy is being
discussed. Furthermore, the painting technique of the object is compared to other Greek icons
based on scientific investigations and the existing damage phenomena that led to the current
condition of the object are analysed. The focus of this work is the development and
implementation of a concept that considers the authenticity of the object in regard to its
historical value and at the same time ensures to reach an overall appearance in the sense of
the aesthetic-functional claim of the icon as a material component of a living practice of faith.

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Schlagworte: anastasis, Italo-Cretan icon, orthodox iconography, icon restoration, partially reconstructing loss integration, religious practice, Viennese Retouching
weitere Angaben:
  • Hochschule: Universität für angewandte Kunst Wien
  • Art der Arbeit:  Diplomarbeit
  • Erstprüfer/in:  Univ.-Prof. Mag.art. Dr.phil. Martina Grießer-Stermscheg
  • Zweitprüfer/in:  -
  • Abgabedatum:  2025
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